14,000-year-old village discovered in Canada one of oldest …

 

CTV Vancouver Island News reports the discovery of a 14,000 year old village that is older than Egypt’s pyramids. The village was found off the coast of British Columbia, Canada on a rocky spit on Triquet Island.

Alisha Gauvreau, an anthropology PhD student at the University of Victoria and a researcher at the Hakai Institute who took part in the excavation work told the Canadian television network:

“I remember when we get the dates back and we just kind of sat there going, holy moly, this is old. What this is doing is just changing our idea of the way in which North America was first peopled.

Experts believe a large human migration may have occurred on British Columbia’s coastline. But the discovery also matches the oral history of the Heiltsuk Nation, a First Nations government in British Columbia. According to the Heiltsuk Nation’s oral traditions, stories of ancient coastal villages have been passed down for generations.

Scientists said the artefacts being unearthed, which include tools for lighting fires, fish hooks and spears dating back to the Ice Age, are painting a picture of how civilisation began in North America.

 

JOHN ANTHONY WEST

John Anthony West is an American author, lecturer, guide and a proponent of the Sphinx water erosion hypothesis in geology. Born July 9, 1932 in New York City, his early career was as a copywriter in Manhattan and as a science fiction writer. He received a Hugo Award Honorable Mention in 1962.

In 1993 he came to my attention in an NBC documentary called “The Mystery of the Sphinx”. The dojohnanthonywest-slider2cumentary contends that the main type of weathering on the Sphinx and surrounding enclosure walls showed evidence of prolonged rainfall. Since the Sphinx is today in a desert region with little rain, the presence of weathering by rain would date the Sphinx to an earlier time when there had been extensive rainfall in this region. West suggested that the Sphinx may pre-date the Ancient Egyptian culture and may have originated between 10,000 to 5000 BCE. This challenged the conventional dating of the Sphinx of 2500 BCE.
john-anthony-west

The documentary was presented by Charlton Heston and covered West’ work with Robert M. Schoch, a geologist and associate professor of natural science at the College of General Studies at Boston University. Although not well received by the academic community the documentary won West a News & Documentary Emmy Award for Best Research and a nomination for Best Documentary.

Today John Anthony West is a leading proponent of the ‘Symbolist’ school of Egyptology which gives an alternative interpretation of ancient Egyptian culture. This concept was originally advanced by the French scholar and philosopher, R. A. Schwaller de Lubicz. In the Symbolist view, Egyptian architecture and art reveal a richer and more universal wisdom than conventional Egyptology has assumed.

Science is often not ready to accept new information and I believe that all though some scientists agree with John Anthony West the majority are still firmly traditional in their belief of when the Sphinx was built.

Sadly I recently heard that John Anthony West at the age of 84  is suffering from advanced Cancer.  I wish him well.

STONEHENGE ON THE MOVE

The latest archaeological evidence about STONEHENGE has revealed that not only did the stones making up the monument come from Wales but the whole monument did.  New discoveries suggest that the monument was originally constructed in Wales as a memorial to the dead by a culture who may have worshiped the dead.  When they moved eastward they took the monument apart and took it with them, along with the cremated remains of their ancestors.  The monument was reconstructed on Salisbury plane where it stands today.  Archaeologist have found the cremated remains of a large number of people buried beneath the monument and believe that these remains like the monument were originally in Wales and made the 150 mile journey some 5000 years ago along with the stones that made up the monument.

 

 

 

THE NEW YEAR TRADITION OF MARI LLWYD

 

One of the most ancient & mythical customs practised in Wales is the custom of Mari Llwyd or “Grey Mare” in English. This tradition marked the passing of the darkest days of midwinter. These long, cold nights were a time of fire festivals in Wales and across the Celtic World and various customs were used to celebrate the passing of the Old to the New Year, the end of the Autumn/Winter period and the return of the growing and harvesting period of Spring/Summer.

 

The tradition of Mari Llwyd involves in its purest form the arrival of a grey mare, represented by a horse’s skull mounted on a pole which is carried by a man, draped and hidden within a white sheet, the skull being decorated with flowing coloured ribbons and bells. The horse is led by dancers and singers wearing red or white and carrying lanterns. Upon the arrival of the party at the door of a house or tavern several verses are sung. Then ensues a battle of wits, the pwnco, between the party of the Mari Llwyd and the inhabitants of the place they are visiting.  Challenges and insults are exchanged in rhyme. At the end of the discourse, which can be as long as the creativity of the two parties lasts, the Mari Llwyd enters with another song and is then rewarded with food and drink or money.

 

The skull-carrying ritual is part of an ancient Celtic tradition. The Mari Llwyd is a figure of ritual significance for a pre-Christian pagan fertility celebration of Celtic origin. Similar customs are known from other former Celtic parts of Europe, such as Switzerland, Austria, Bavaria and Slovenia. The carrying horse of Kent is possibly a remnant of the pre-Anglo-Saxon Celtic custom amongst the Cantiaci, the Celtic tribe which inhabited this part of Britain before and during the Roman occupation. To the Romans the Celtic Horse Goddess Rhiannon was known as Epona.

Robert Alwyn Hughes's Mari LwydThese festivals were not always popular during the Methodist Revival and gained a bad reputation for drunkenness and vandalism. Many a sermon in the Chapels was preached against the then thought of pagan practice.

 

Today there are only two or three places in South Wales where the Mari Llwyd is still practiced on New Year’s day. On a personal note, I first heard of this tradition from my own father, brought up in Pontardawe, in the Swansea Valleys, who accounted a visit by Mari Llwyd on New Year’s day when he was a young boy in the 1930’s.

 

St Georges Day

Today is St Georges Day.

St George is the patron saint of England and is most famously depicted fighting a dragon.

 

St George and the Dragon

According to the Golden Legend, the narrative episode of Saint George and the Dragon took place somewhere he called “Silene”, in Libya; the Golden Legend is the first to place this story in Libya as a sufficiently exotic locale, where a dragon might be found. In the tenth-century Georgian narrative, the place is the fictional city of Lasia, and the idolatrous emperor who rules the city is called Selinus.[8]

The town had a pond, as large as a lake, where a plague-bearing dragon dwelt that poisoned all the countryside. To appease the dragon, the people of Silene used to feed it two sheep every day, and when the sheep failed, they fed it their children, chosen by lottery. It happened that the lot fell on the king’s daughter, who is called Sabra. The king, distraught with grief, told the people they could have all his gold and silver and half of his kingdom if his daughter were spared; the people refused. The daughter was sent out to the lake, dressed as a bride, to be fed to the dragon.[8]

Saint George by chance rode past the lake. The princess, trembling, sought to send him away, but George vowed to remain. The dragon reared out of the lake while they were conversing. Saint George fortified himself with the Sign of the Cross,[10] charged it on horseback with his lance, and gave it a grievous wound. He then called to the princess to throw him her girdle, and he put it around the dragon’s neck. When she did so, the dragon followed the girl like a meek beast on a leash.[citation needed]

The princess and Saint George led the dragon back to the city of Silene, where it terrified the people at its approach. But Saint George called out to them, saying that if they consented to become Christians and be baptised, he would slay the dragon before them. The king and the people of Silene converted to Christianity, George slew the dragon, and the body was carted out of the city on four ox-carts. “Fifteen thousand men baptized, without women and children.” On the site where the dragon died, the king built a church to the Blessed Virgin Mary and Saint George, and from its altar a spring arose whose waters cured all disease.[11]

Traditionally, the sword[12] with which St. George slew the dragon was called Ascalon, a name recalling the city of Ashkelon, Israel. From this tradition, the name Ascalon was used byWinston Churchill for his personal aircraft during World War II (records at Bletchley Park), since St. George is the Patron Saint of England.[citation needed]

In a later version of the legend,[citation needed] St. George travelled for many months by land and sea until he came to Libya. Here he met a poor hermit who told him that everyone in that land was in great distress, for a dragon had long ravaged the country.

‘Every day,’ said the old man, ‘he demands the sacrifice of a beautiful maiden and now all the young girls have been killed. The king’s daughter alone remains, and unless we can find a knight who can slay the dragon she will be sacrificed tomorrow. The king of Egypt will give his daughter in marriage to the champion who overcomes this terrible monster.’

When St. George heard this story, he was determined to try and save the princess, so he rested that night in the hermit’s hut, and at daybreak set out to the valley where the dragon lived. When he drew near he saw a little procession of women, headed by a beautiful girl dressed in pure Arabian silk. The princess Sabra was being led by her attendants to the place of death. The knight spurred his horse and overtook the ladies. He comforted them with brave words and persuaded the princess to return to the palace. Then he entered the valley.

As soon as the dragon saw him it rushed from its cave, roaring with a sound louder than thunder. Its head was immense and its tail fifty feet long. But St. George was not afraid. He struck the monster with his spear, hoping he would wound it.

The dragon’s scales were so hard that the spear broke into a thousand pieces. and St. George fell from his horse. Fortunately he rolled under an enchanted orange tree against which poison could not prevail, so that the venomous dragon was unable to hurt him. Within a few minutes he had recovered his strength and was able to fight again.

He smote the beast with his sword, but the dragon poured poison on him and his armour split in two. Once more he refreshed himself from the orange tree and then, with his sword in his hand, he rushed at the dragon and pierced it under the wing where there were no scales, so that it fell dead at his feet.

 

Source Wikipaedia

Enormous Raised-Earth Sculpture of a Horse Stretches Over 200 Meters in Wales

Sultan the Pit Pony is a spectacular raised-earth sculpture of a horse that extends over 200 meters in Caerphilly, South Wales. Designed by Welsh artist Mick Petts, the colossal work of art is known as the largest figurative earth sculpture in the United Kingdom. The sculpture, located in Parc Penallta, offers unobstructed views of the surrounding woods, grasslands, marsh, and trails carved from the former coal tip of Penallta.

Constructed using stone, earth, and 60,000 tonnes of coal shale, the sculpture is called “Sultan” after a well-loved pit pony that reportedly worked in the local mines. Pit ponies were commonly used to haul tubs of coal in underground mines from the mid-18th until the mid-20th century. Although the last pit pony was retired in 1999, their legacy and Sultan’s magnificent form serve as reminders of the Industrial Revolution that marks a significant part of the UK’s cultural heritage.

Posted by Jenny Zhang on November 18, 2014

Above photo credit: Jonathan Webb

Above photo credit: Jonathan Webb

Marc Bolan Prophecies of Death

Time marc bolanI am of course interested in proving the existence of psychic ability for those who don’t already know.  Being psychic I recognize certain events and patterns in other peoples lives that to me look like they have experienced something psychic.

Most people think of premonitions as quite dramatic and significant.  The truth is usually the opposite.  Most are very mundane and barely appear on the radar of consciousness.  I had a lot of waking premonitions, but then my brain screwed up during illness.  I think my sub-conscious started dumping info into my conscious.  Anyway, I’m back to normal now, or at least as normal as can be.

As everyone who has had these experiences knows, sometimes you get to see a premonition in a dream or waking consciousnes.  But often you don’t and what seems to happen is you will get hints of things as if something is trying to surface from the sub-consious.  When this happens you find yourself talking about something, writing about or painting, drawing or singing about something which then just happens to come true.  A probable coincidence if it happens once and is a bit vague.  But when it happens more than once and there are clear details then I think it’s time to put your hand up and say “darn it’s time to re-think time.”

I think the late, great Marc Bolan, lead singer of the 70’s group T Rex and the man that started glam rock had dreams and some level of knowledge about his death.  Below are some evidence to suggest this was so.

 

  • 1.   Painting by Rene Magritte  called September 16, painted 1957.  On his last tour of France Marc visited the Louvre where he spent hours staring at this painting.  The moon in the painting depicts the same phase as the moon was on the night he died when the car his girlfriend Gloria was driving hit a tree similar to the one in the picture, in the early morning of September 16th, 1977.

 

 

 

 

 

2.   Poem predicting his death

 

Sycamore of sorrow

Pray I’m swallowed

In the swell of your yelling leafy breast

My crippled bended chest is shamed

Through flaming crowsfeet, soaring nouns of Norse confession.

Dark earth gremlins, rootlegged hobbling

In the cryptess of my turned wound

Ill-famed fair prince, steal my lightening

Stake me with steel, for my haughtiness

Straddle my storm head with your abyss shroud

Call me harlot, call me wormy wordler

Ever so, but out loud”

 

The biography Ride a White Swan: The Lives and Death of Marc Bolan written by the journalist Lesley-Ann Jones wrote about his death.  In the book it states that although it was thought Bolan was killed when his car hit the sycamore tree he was, in fact, killed when the car hit a steel-reinforced fence post and he suffered a horrific head injury from a steel eye bolt in the fence penetrating his skull.  In an interview his older brother said on viewing his body that there was no signs of injury except for a small bruise on his forehead.  I conclude that it penetrated the back of his head severing or rupturing the  brain stem which would have killed him instantly.  In the poem “Through flaming crowsfeet, soaring nouns of Norse confession,” appears to be a reference to the Norse tradition of putting the body of a warrior on a ship and setting it on fire.  Also the practice of confession before death is a catholic ritual.

 3.   In the lyrics to the song Easy Action he sings

“life is the same as it always will be,

 Easy as picking foxe’s from a tree.”

 

The car he was killed in had the number plate

FOX as clearly visible in the photo of the wrecked car.

 4.   Marc Bolan was travelling home and was killed in a car crash a mile or so from his home.  Gloria Jones his girlfriend was driving at the time. The song The Road I’m On  is about a journey home that won’t take him home and repeatedly  mentions Gloria and talks of the end of summer Autumn with the leaves falling.  He died in September, the end of summer.  The theme of the song seems to suggest a journey that ends in a departure from home with references to roaming and the robin flying to a new nest at the end of summer as well as a reference to the cards that’s showing…..the hand your dealt with, fate in other words.  At the time these lyrics were written he hadn’t met Gloria Jones.

 The Road I’m On

Since we last loved Gloria

the suns been up and down that many times

since we last loved Gloria

I’ve been sharing love with women of kinds

 

Summer ends and leaves start dying

you won’t see robin crying

he knows where the sun is hiding

to another nest he’s flying

 

You gave me reason now I’ve gotta roam

‘cos the road I’m on gal won’t run me home

 

Hear my words Gloria

echoing from mountains with a cry

Hear my words Gloria

you’ll see them gal reflecting off the sky

Hear it in the cold wind blowing

hear it in the river’s flowing

no-one in the mind that’s growing

see ‘cos the cards that’s showing

 

You gave me reason now I’ve gotta roam

‘cos the road I’m on gal won’t run me home

 

Summer ends and leaves start dying

you won’t see robin crying

he knows where the sun is hiding

to another nest he’s flying

 

You gave me reason now I’ve gotta roam

‘cos the road I’m on gal won’t run me home

‘cos the road I’m on gal won’t run me home

 

5.     In the lyrics to the song Celebrate Summer he

                   Sings Summer is heaven in ’77

              Bolan died in the late summer of 77